Bachata Roja is a series that collects together the greatest hits of classic Dominican bachata. From the early 1960’s to the late 1980’s the legendary voices of Eladio Romero Santos, Leonardo Paniagua and Blas Duran spoke to the hearts of a generation. The dizzying guitar accompaniment of pioneers like Edilio Paredes and Augusto Santos charted the course of bachata’s rise, and for three decades theirs was the sound of the streets of Santo Domingo.
Initially the term "bachata" referred to an informal backyard party with food, drink, music and dance. In rural areas of the Dominican Republic in the 1950’s and earlier, the music played at these events was more often than not guitar-based and included a variety of popular styles such as Cuban bolero, guaracha and son, Puerto Rican jíbaro music and Mexican ranchera. Drawing on all these influences, a bold new guitar style emerged in the heart of Santo Domingo’s burgeoning urban shanty towns. Much despised by elite society - who controlled the island’s television, radio and major recording studios – the new music was dubbed disparagingly “bachata,” an allusion to perceived rural backwardness.
Though boycotted by major media outlets, a grass-roots movement coalesced around favorite singers of the time – who expressed in unvarnished terms the pain, sorrow, humor and romance of daily life. Arising from the urban bordellos and the campos, bachata music grew to become wildly popular across all strata of society. Throughout this period, the defining sound of bachata was that of the Spanish acoustic guitar, whose florid phrasing seduced dancers, chastised faithless lovers and softly serenaded coy mistresses of the night.
Today bachata has become part of the troika of popular tropical Latin music: salsa, merengue and bachata. Yet, many of bachata's newer fans are not aware of its humble beginnings, and most have not had an opportunity to hear what real bachata sounded like before it was "dressed up" to enter the mainstream. Bachata Roja pays homage to some of early bachata's most exceptional and versatile musicians. It gives devoted fans a chance to discover, or re-discover, the richness of bachata's roots.
lechicita een cueva me han dicho que la cantan victor estevez pero se que la cantaba lino bonilla aunque no la e podido encontrar
si alguien sabe como se llama y quien la canta, la bachata que dice "una lechucita en cueva aparenta mas que tu
deseo conseguir el tema con el que radio guarachita tocaba las tardes: la cumbia de los choferes.
quiero todas las bacatas de LEONARDO PANIAGUA por favor soy un gran fan de sus canciones
la historia de la bchata es realmente conmovedora
hola soy un fiel siguedor de radio guarachita quiero que me agan un favor , yo quiero el numero de carlos 1ero ya que yo fuis estudiante de el y quiero saver el numero de celular de el o aque hora puedo yamarlo en la emisora radio guarachita , yo escucho por interne a radios guarachita en estos momento me encuentro en new york my numero es 347-320-2364 espero que carlo vea ese numero y me yame gracias att. ramon gomez [chicho]
Soy un asiduo seguidor de la bachata contemporanea, les agradecere enormemente que me informen donde puedo conseguir la bachata que se titula Amor de Madre. del desaparecido bachatero de nombre Manuel de Jesus Galvez. Felicidades por su espacio, es muy bueno para todos los seguidores de la verdadera bachata.
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