Antony Santos Bachata

Bachata’s modern era was ushered in by Blas Durán’s incorporation of the electric guitar into the music in 1987. The group of bachateros who followed in Durán’s footsteps—Luis Vargas, Raulín Rodriguez, Antony Santos, Juan Bautista--all had a role in defining what the music has come to sound like today. There is, however, no argument that the single most influential bachatero in establishing the modern style, as well as the most commercially successful within the Dominican Republic is Antony Santos.
Santos comes from the same region on the northern border with Haiti as Luis Vargas and Raulín Rodriguez, and they all worked with one another at various times. Santos began as the güirero in Luis Vargas’ group when Vargas was beginning to make a name for himself with doble sentido merengues that imitated both Blas Duran and Eladio Romero Santos.

He left Vargas’ group in the wake of personal differences between the two, and recorded his first production, La chupadera, in 1991. The cassette (at that time bachata was not yet available on CDs, which at any rate would have been too expensive for the music’s traditional audience) included a number of doble sentido songs like “La parcela”, “La passola” and “El behuco”. The number that helped define the beginning of a new era in bachata, however, was “Voy pa’lla”, a strictly romantic song which became a huge hit among both traditional bachateros and the public at large. “Voy pa’lla” was one of the first significant “electric” bachatas not based on sexual double entendre, and it reached a wider audience than probably any single song ever recorded in the genre up to that time.

Antony Santos was precisely the right musician in the right place at the right time during bachata’s history. While it was the bachata “Voy pa’lla” that originally made him famous, Santos had as much success with the merengues on his recordings as the bachatas. This heavy emphasis on merengue was instrumental in allowing bachata to reach a larger audience, because many Dominicans, still unwilling to let go of the traditional stigma against bachata, didn’t know how to dance it. Santos’ merengues were accessible to the Dominican public at large, and some of his biggest hits have been merengues.

While modern bachata does not begin with Santos, the innovations which he and his group introduced into the genre have been extremely important in defining its current form. Previously, lead guitarists like Edilio Paredes and Augusto Santos played upward with their fingers in a florid, melodic style; even Jesús Martinez, Blas Duran's pioneering lead guitarist, used his fingers to play although in a simpler fashion. Antony Santos, followed the lead of his mentor Luis Vargas and Eladio Romero Santos in playing the strings downward, with a thumb pick. The resulting style was simpler and more rhythmic, and has given bachata an instantly recognizable sound when compared with other kinds of Latin guitar music. Meanwhile, the bachata which Santos was recording began to reflect, more and more, the influence of his merengues. His bongo player played the instrument with two sticks, rather than with his hands, and many of the breaks had a merengue feel. In addition, the group developed a mambo section in which the güira plays a pattern typical of merengue and the bass plays a pattern derived from the cha-cha-cha section of traditional bolero. In the merengues themselves, the traditional tambora rhythm was replaced by a simplified version of “caballito”, the rhythm made popular by merengue orquestas like Los Hermanos Rosarios.

As the decade of the 1990s went on, Santos was consistently successful with both his bachatas and his merengues, and the rhythmic patterns which his group developed for the different sections of the song came to be the standard for the genre. And while other bachateros came and went, Santos continued to thrive, eclipsing his rival and former mentor, Luis Vargas, among others. So many of Santos’ songs have become classics of modern bachata that a list of them would read like a list of virtually everything he recorded during the 1990s. Some of his most significant songs during this period have been his merengues “El perrito”; “Me voy a morir”: “Dejame entrar”; “La batalla”, and “Quililín quililán”. Among the many landmark bachatas which Santos recorded during the 1990s are “Corazón culpable”, “Quien te engañó”, “Consejo de padre”, “Durmiendo solo” and “Pegame tu vicio”.

In 2001’s El balazo, Santos began to experiment again by incorporating an electric keyboard into his merengues, a subtle innovation which did not significantly alter the music. In the following recording, Juego de amor, he included saxophones and turned the keyboard up in the mix. The new sound did not receive ringing endorsements from bachata’s traditional audience; by this time other bachateros had drastically reduced the number of merengues they were recording as bachata itself grew in popularity by leaps and bounds, so fans of merengue de cuerda had only Santos to depend on. His incorporation of saxophones and piano seem to have hurt the popularity of his most recent recordings, although the bachatas on them, including “La jaula de oro” and “Ay, ay, ay” (recorded live), have been well received

At this point Antony Santos is the elder statesman of bachata. To many young bachateros, unfamiliar with Blas Duran, Santos’ music is where modern bachata begins. The fact that he is still active and successful helps to cement his importance in the minds of today’s bachata audience. While Santos was not in fact responsible for the innovations that lead to bachata’s modernization, for which credit is due to Durán and his lead guitarist, Jesús Martinez, he is unquestionably the most important figure in establishing the norms of the modern style. Santos’ popularity, as well, remains as large as his influence. He continues to record hits, and on visits to New York to perform at Madison Square Gardens.

-- David Wayne

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RAMON GARCIA May 13, 2014

antony santos recuerdas. un lengue lengue lengue lengue lengue,para ti.ese es mi nuevo tema que quiero darte un dia cuando yo te veas de nuevo en concierto.aqui en new york city.oite eh ayayay.

RAMON GARCIA May 13, 2014

antony santos tienes que ser un bachatero famoso.porque antony es bendecido desde su nacimientos.antonio es un nombre de un santo.mas su apellidos santos.eso quieres decir que antony santos es bendecudos por partida doble,pero los otros bachayeros,son muy envidiosos y por esa razon,antony santos les estas comiendo los dulces a todos esos envidiosos,que nomas viven copiando de los demas,y se olvidan de ellos mismos.antony santos es el mayimbe,y jamas bajara del palos donde sus fanes lo subieron desde el principio de su carrera.por eso antony santos un orgullos dominicano. y eso se lo digo yo su primo de sangre roja.porque antony santos.los conocemos desde adoscencia.y memin el guitarrita tambie.en san francisco de macoris,mi pueblo natal.tambien a eladio romero santos.fue el mejor de todos los bacharos de ese tiempo.hoy antony santos ha quedado en su lugar.y por eso es que antony santos se haz convertido el modelo asehuir.quieren ser buenos bachatero en el futuro.pues copien de el mayimbe antony santos,y ustedes veran el resultados en uno poco meses.este es mi consejos para que ya no sigan con la envidia,el recentimientos.porque todo aquel.que quieres progresar en esta vida.solo tiene que ser un persona disciplinadas.porque la educacion es un privilegios en este tiempo,donde hasta los gatos quieren ser artistas.asi es que copien muy bien si es que ustedes quieren un dia llegar a la coma ddel exitos.gracias.god bless you have good day.bye adios.attt.R,G ANTONY SANTOS PALANTES.

ALEXA BLACO April 8, 2014

aunk sea un hola quisiera ver.!!! eres un ser especial nada como tus musicas *VOY PA HALLA* COMO QUISIERA K VINIERAS A CARACAS A MI PAIS PARA VERTE D TI DE VERDAD K NO ME PERDERIA UN CONCIERTO..

ALEXA BLACO April 8, 2014

SOI IDOLO ME LLAMO ALEXA COMO QUISIERA QUE PARA VENEZUELA-CARACAS VINIERAS A CANTAR NO ME PERDERIA NI UNA MUSICA ERES UN BACHATERO DE LOS 1RO SOLO TU SABES CANTAR ERES UNO K DIOS TE BENDIGA MAYILBEEEEEEEEEEEEE *-* *-* *-*

silvio January 30, 2014

estas bien Anthony sando pratico tu musica todos los dia soy guirero

yosepi November 6, 2013

kieroaselunavacnata

brandely custodio September 20, 2013

es algo asombroso y mas sabienso del lugar de donde viene... lo umilde que era...

nelson da rocha March 12, 2013

POR FAVOR ME AJUDEM PRECISO TER UMA CONVERSA COM ANTONY SANTOS E NAO SEI O QUE FAZER...... ME AJUDEM

nelson da rocha March 12, 2013

antony santos o melhor da R.DOMINICANA

edwin garcia garcia December 10, 2012

el un bachatero dominicano que canta bachata para el mundo pero yo le dijo que se arrepientan se sus pescado